Two cousins (Rachel Weisz and Emma Stone) jockey for influence and power during the reign of Queen Anne (Olivia Colman, who scored an Oscar and Golden Globe for her performance) in this political comedy-drama from the Oscar-nominated director of The Lobster.... More
"Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant, Abigail (Stone), arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfil her ambitions and she will not let woman, man, politics or rabbit stand in her way." (Venice Film Festival)Hide
YOUR RATING & REVIEWWATCHLIST
BY Katie Parker Flicks Writer
“Love has its limits.” “Well, it shouldn’t.” This exchange, which takes place in the opening scene of The Favourite, could plausibly be from any of Yorgos Lanthimos’ small yet notorious catalogue of films. From Dogtooth, to The Lobster, to The Killing of a Sacred Deer, the Greek director and cinema darling has something of a preoccupation with emotional barriers—and what happens when they are transgressed.... More
Set in 18th Century England, The Favourite focuses on a love triangle of sorts between the dippy, gout-ridden Queen Anne (Olivia Coleman), her confidant Sarah Churchill (Rachel Weiss) and Churchill’s cousin Abigail (Emma Stone).
Beginning as down-and-out Abigail arrives at court hoping Sarah can find her employment there, she quickly gleans the true nature of Sarah and Anne’s relationship—and Anne’s emotional vulnerability—and sets out to usurp her cousin in both Anne’s heart and court.
As much as those opening lines may feel perfectly Lanthimos-esque, The Favourite is the first of his films not to be scripted in collaboration with screenwriter Efthymis Filippou. In fact, first drafted in 1998 by Deborah Davis (and more recently ‘freshened up’ by Tony McNamara) the script—originally titled Balance of Power—has been floating around for 20 years.
For a director now notorious for the eerie, stilted, stylised way his characters usually interact, this is a significant departure for Lanthimos: though The Favourite could not be said to be naturalistic as such, the dialogue is certainly more normal that that of say, Sacred Deer.
Initially this feels a little bit like a loss—I love that weird shit—yet quickly his signature uncanny emerges, strangely, subtly in other ways: audio overlaps for extended periods between scenes; a fish-eye lens is used to repeatedly distort our view; 17 rabbits, each representing one of Queen Anne’s still-born children, run amok.
With a suitably opaque — and for some perhaps a little bit infuriating—ending, The Favourite is a rare period drama that goes beyond merely re-hashing a sensationalised past. Instead, Lanthimos uses this fascinating, and apparently forgotten, moment in history to create a strange, twisted and darkly funny love story that is truly one of a kind.Hide
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BY PeterS superstar
.... are outstanding. I'm sure others will talk about the excellence of the performances etc, but I'd like to single out the work of the costume designer; they really brought the period to life.
Who can forget the shooting scene. What wonderful outfits!
BY anthonyb nobody
BY filmlover superstar
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